top of page
 A Parting SymphonyIs a live ritual performance piece to honour the endings, mourn and grieve the loss of the lost parts. To honour the primal wound of the Feminine, the hurt, the pain and the anger. And to welcome the new beginnings after endings. The piece was performed at the Artelescreativecenter in Finland. Still grab from performance film, documented by Betta Diorio |  A Parting Symphony 2023Is a live ritual performance piece to honour the endings, mourn and grieve the loss of the lost parts. To honour the primal wound of the Feminine, the hurt, the pain and the anger. And to welcome the new beginnings after endings. The piece was performed at the Artelescreativecenter in Finland. Still grab from performance film, documented by Betta Diorio |  A Parting Symphony 2023Is a live ritual performance piece to honour the endings, mourn and grieve the loss of the lost parts. To honour the primal wound of the Feminine, the hurt, the pain and the anger. And to welcome the new beginnings after endings. The piece was performed at the Artelescreativecenter in Finland. Still grab from performance film, documented by Betta Diorio |
|---|---|---|
 A Parting Symphony 2023 |  A Parting Symphony 2023 |  A Parting Symphony |
 A Parting Symphony 2023 |  Shame 2023Shame has always come before me in every interaction and every situation. I took my shame out on a date to befriend it. Accept it and understand it like a lover. I don't even know when it became bigger than me. I am finally able to see it as a separate entity. Separate from me. This performance is part of a series titled "Reconciliation". |  Shame 2023Shame has always come before me in every interaction and every situation. I took my shame out on a date to befriend it. Accept it and understand it like a lover. I don't even know when it became bigger than me. I am finally able to see it as a separate entity. Separate from me. This performance is part of a series titled "Reconciliation". |
 Scream Jar: A mourningCountless women are abused, assaulted and brutally violated in their homes and outside. I dedicate this performance to all the women who have been, shamed, threatened, victimized and forced to apologise for their growth, intelligence, strength, resilience, spirit, light, their right to choose their ability to love and for their compassion. To all the amazing, inspiring, strong women in my life and around me. |  Scream Jar:a mourning 2022Countless women are abused, assaulted and brutally violated in their homes and outside. I dedicate this performance to all the women who have been, shamed, threatened, victimized and forced to apologise for their growth, intelligence, strength, resilience, spirit, light, their right to choose their ability to love and for their compassion. To all the amazing, inspiring, strong women in my life and around me. |  scream JarLive Performance |
 scream JarCountless women are abused, assaulted and brutally violated in their homes and outside. I dedicate this performance to all the women who have been, shamed, threatened, victimized and forced to apologise for their growth, intelligence, strength, resilience, spirit, light, their right to choose their ability to love and for their compassion. To all the amazing, inspiring, strong women in my life and around me. |  Collecting EarthCollected Earth after a series of ritual performances involved collecting Earth. Started in 2022. It's an ongoing project. |  Between the map and the territoryDurational performance of spying on the city |
 Between the map and the territoryDurational performance of spying on the city |  Collecting Earth |  Collecting EarthStill from a video performance 2022 |
 Collecting EarthStill from a video performance 2022 |  Collecting EarthStill from a video performance 2022 |  Collecting EarthStill from a video performance/ film 2022 |
 Collected riverStill from video performance "Collecting Earth" |  Performance relic: human hair/Vintage frameRelic from the Performance at AlmResidency Munich |  Ritual performance AlmResidency 2021Leaving my DNA behind for the hut as an offering. |
 Ritual performance AlmResidency 2021 |  Performance AlmResidencyRitual performance to leave my DNA behind for the hut. |  Becoming ForestLive performance/actions of becoming to devise choreographies and localities of empathy. Huelgoat France |
 Live performanceBecoming in Huelgoat forest France |  Becoming ForestLive performance/actions of becoming to devise choreographies and localities of empathy. Huelgoat France |  Becoming, live performance documented by Grace Gelder during a residency , France |
 Becoming, live performance documented by Grace Gelder during a residency , France |  Becoming, live performance documented by Grace Gelder during a residency , France |  Live performance/actions of becoming |
 Live performance/actions of becoming |  Live performance/actions of becoming |  Ten to Zero“Ten to Zero” is a ritual performance of death and rebirth on full moon. The performance is about an end of a cycle in the life and the beginning of a new one. |
 Ten to ZeroLive ritual performance |  Ten to ZeroLive ritual performance |  Ten to ZeroLive ritual performance |
 Ten to ZeroA strand of hair ashes of anything that I want to leave behind, a yellow flower rosemary and basil folded in a red cloth ready to be buried. Remains of the performance “Ten to Zero” |  VanishingStill image from a video. Live public performance. |  VanishingLive public Performance-installation. Part of a stream at Ensemble Ouvert |
 VanishingLive performance-Installation. Vanishing was part of the 'Ensemble Ouvert' |  Between the Map and the Territorya durational action at multiple sites in public space. It deals with mapping the city. The documentation will navigate between the reality of the space, past knowledge/memory and representation of the space as experienced. I observe how my presence will create a temporal geography that will in time be a reality and in future a fiction in an ever evolving space and it’s representation. I walk with the ladder and choose a site where I sit on the ladder and observe the city through binoculars. |  Elemental 2020Live performance-installation. I through this performance explore the word Home by creating an imagined temporal site where two different habitats co-exist and its dwellers negotiate their parallel existence by performing their rituals of the household until their choreography is confused and blurred while the space becomes what I call an Expanded Home. Durational Performance in an aviary at the University of Veterinary and Animal Science |
 Elemental 2020Live performance-installation |  ElementalLive performance-installation |  ElementalLive performance-installation |
 ElementalLive performance-installation |  ElementalLive Performance |  ElementalLive performance |
 The Naughty ChairText Piece "The Naughty Chair", The Utopia Project. |  Stories From the FutureLive performance, video installation |  Routine 2, A Boredom Choreography 2020Performance, Part of a series of Choreographed routines devised out of boredom. |
 Routine 2, A Boredom Choreography 2020Performance, Part of a series of Choreographed routines devised out of boredom. |  The Naughty ChairLive performance for Online Performance Art Festival 2020. |  The Liminal Space 2020Live Performance which was part of the exhibition "A Site for Sight" a collateral even of Lahore Bienale Foundation |
 The Liminal Space 2020 |  The Liminal Space 2020Live Performance/ Public Art |  20:27 Basement 2/ Unit 2From the performance "The Liminal Space" at "A Site for Sight" Remains (photographic thumbnails of the site as a hint of my presence) of the performance were left in the site as residue of the performance. |
 17:57 Inside the tentThe Liminal Space, Live performance. |  18:22 inside the tentThe Liminal Space. Live Public Performance. |  01:26 Staring at my weaponImage inside the tent. The Liminal Space 2020. Live Performance. |
 MaroonA series of still and moving image about the freedom of speech, censorship, sexuality,and femininity. |  MaroonA photograph/ black cloth |  MaroonA series of still and moving image about the freedom of speech, censorship, sexuality,and femininity. |
 MaroonA series of still and moving image about the freedom of speech, censorship, sexuality,and femininity. |  MaroonA series of still and moving image about the freedom of speech, censorship, sexuality,and femininity. |  MaroonA series of still and moving image about the freedom of speech, censorship, sexuality,and femininity. |
 Pavilion of Distance II: 2013still from a film |  DialogueMemory of a live performance at Kapitaal Utrecht |  DialogueMemory of a live preformance at Kapital, Utrecht |
 DialogueMemory of a live preformance at Kapital, Utrecht |  DialogueMemory of a live preformance at Kapital, Utrecht |  DialogueLive performance and installation, Group show MaHKU "Lets get Physical" at Kapitaal Utrecht |
 DialogueLive performance and installation, Group show MaHKU "Lets get Physical" at Kapitaal Utrecht |  DialogueLive performance and installation, Group show MaHKU "Lets get Physical" at Kapitaal Utrecht |  Not all who wander are lost 2013Installation/sound piece/live performance at a group show "Estimated Time of Arrival" Das Spectrum, Utrecht |
 Only Connect 2012Live performance at Kunstvlaai, Amsterdam |  No One Can Whistle a Symphony 2012"No one can whistle a symphony it takes orchestra to play it" Live/Participatory Performance at Pictura Dodrecht 2012 |  Participatory Performance"No one can whistle a symphony it takes orchestra to play it" Live/Participatory Performance at Pictura Dodrecht 2012 |
 Stitch Therapy 2019Collaborative/Participatory Performance/ Fibre art/ Public art at Institute of Art and Modern Skills 2019-ongoing |  Stitch Therapy 2019Collaborative/Participatory Performance/ Fiber art/ Public art at Institute of Art and Modern Skills 2019-ongoing |  Stitch Therapy 2019Collaborative/Participatory Performance/ Fiber art/ Public art at Institute of Art and Modern Skills 2019-ongoing |
 Stitch Therapy 2019Collaborative/Participatory Performance/ Fibre art/ Public art at Institute of Art and Modern Skills 2019-ongoing |  Stitch Therapy 2019Collaborative/Participatory Performance/ Fibre art/ Public art at Institute of Art and Modern Skills 2019-ongoing |  Objects of Love 2012-2013Fiber art/ Sculptures/ performance/ Public art |
 Objects of Love 2012-2013Fiber art/ Sculptures/ performance/ Public art Fabric/ polyester/ garbage bags |  Objects of Love 2012-2013Fiber art/ Sculptures/ performance/ Public art Fabric/ polyester/ garbage bags |  Free Hugs 2012-2015Public Performance/ Multiple locations in Netherlands and UK |
 Bhatkan 2010Still from a theatre Play written by Lakht Pasha |  Are We There Yet..? 2018A performative text/experimental theatre piece. Written directed and choreographed |  Bumb Wala NatakWriter and Director |
 Global Village 2011Directed this street theatre performance. |  Once Upon A Laughter (a musical)Writer and Director The new girl re-locates to a town where nobody laughs and with her moving to the town laughter spreads like an infection. The play explores themes of freedom of speech, State's oppression and consensual politics. |  d5baf99e-aee7-4ed5-a682-3a81b1ab7999 |
 0cd7ff0c-2773-4542-bae1-7c1685c1ebe3 (1) |  17796180_10154767596283791_7001813986192 |  17796659_10154767596003791_6834691502314 |
 Mahno KahahniActor |  13100688_10153807765233791_6727710539154 |  15493494_1184940224917061_73115804239199 |
 Mirza SahibanDirector and choreographer 2017 |  15337391_1184925924918491_44108844695363 |  Heer Waris ShahDirector, Choreographer and scenic designer |
 Neelay Da Aswaar 2011 |  Heer Waris Shah 2011Director and choreographer |
bottom of page